Artist: Corrine Davis
Artist: Kathy Ogg
Artist:Pattie Mosca


copyright Mallory Matson 2007
copyright Mallory Matson 2007
As is with most of us, my life has been frought with moments that really could have used the power of the Do-Over, if that option were available at the time. It has been rife with opportunities to forgive and be forgiven, to give it another go, to reapply for admission, to give back and to recycle.
Second chances (and third, and fourth) are important gifts we give ourselves and others. There is no force more powerful in the universe than forgiveness, and forgiveness is a second chance of the spirit. It is a laying down of burdens. Forgiveness is not condonment or approval when wrong has been done; it is setting yourself free from the weight of bitterness.
The act of forgiveness is simple, which is not to be confused with easy. It can be unspeakably hard. In some cases, for some folks, impossible. The one thing I have found in my own life is that it is a tool I have had to reach for over and over, and it is the one that does the best repairs, yet I am reluctant to use it on myself. Oh, we are hard on ourselves, many of us.
How do second chances apply to art, you say? How convenient of you to ask; I have the answer here. A picture frame for a beloved fellow Circus Freak of the EC, Maggie. Adorned with the flotsam and jetsam of the creative tides that wash into my studio, this piece is a showcase of repurposed ephemerma and embellishments. Broken jewelry, orphaned game pieces, single buttons, used postage stamps, bottle caps, and even a subway token, all share here a common bond: the second chance.


Each morning I am up at six and stumbling out the door, barely coherent, MP3 powered on, and I am off and walking. The nice thing about six am (some people think there is NOTHING nice about it) is that things are pretty still. By things, I mean, human things. And human beings. Cars and lawnmowers, shouting children; even other walkers or joggers are rare. I like this. I like that most of my town still has its eyes closed. My personal space becomes fantastically large; I can walk backward to look at things longer if I like. I can play air drums along with the music being piped into my ears. I can dance a little, sing under my breath, cross the street in the middle, and do a full-on freak-out if I happen to walk face first into a surprise spider's web, without fear of mortification.
Most of all, I can talk to the trees. I wish I could find the right words to convey what I draw from the trees. I sense them breathing, almost, their energy permeating the morning, soothing me like a comforting hand. Each one is, to me, like a person, a character. And yes, as I said, I really do; I speak to them. Not outloud too often; mostly in my head. The old-growth elders of the tribe, massive and stately, exuding the wisdom of all that they have seen; I offer them my respect. Good morning, Grandfather Oak. Good morning, Grandmother Pine.

I grin at the young and fresh-faced Dogwoods, their butter-colored flowers open wide like a smile, and the delicate Willow waving shyly. I nod to the elegant Paper Birch leaning nonchantly into the breeze, smile at the dainty Japanese Maples, and almost applaud the scruffy Cedars, because I have a particular fondness for them and their deep, red hearts.
I say their names when I recognize them: Elm, Magnolia and Tulip Poplar, Ornamental Cherry and Arborvitae, Sweet Lilac and Ash. Viburnam, Sassafras, Catalpa, Linden, Grey Birch, Sycamore...I list them like a litany. I could make poems out of tree-words found in a glossary of tree-terms; to me the words sound like a secret language:
Blade, bract, clingstone, conifer, freestone, midrib, palmate, rootstock...they weave together an incantation of growth.
This morning I approached a grand and imposing tree near the edge of the road, and my steps slowed as I took in the large orange X on its solid mid-trunk. What mark is this? As I neared, I saw a sign, an official town notice, tacked to its bark: Tree Slated for Removal. My heart clutched. Poor, doomed tree. I mourned the impending loss in advance, my hand on its blackened girth. It was clearly ill, discoloration running up its length, but it still radiated strength, solid under my palm. I stood still there for a moment, so I could spend time with this tree, this tree I had been warned would soon be gone. I tried to take a picture with my mind, to transplant it from its roots to its crown, so it could grow in my imagination, not be forgotten, always be honored.







Being near the ocean makes her happy. Lakes and rivers are an acceptable substitute, but she likes the wind that blows in over the surf, and the roar of the waves, and how tiny the shoreline makes her feel.
Although her bright blue eyes changed their minds at age six and turned green, her love of cats remains the same.
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She thinks pigtails are the best. She is proud of her freckles. She loves spontaneous hugs, and her ability to make people laugh. She is proud of that, too.
She believes in things not everyone can see, like magic, and souls who know each other through lifetimes, and she also will keep a secret for you, if you need one kept. She knows some wonderful ones.